CHORA MURALS: Between Opposite Perspective and Perspective
CHORA MURALS: Between Opposite Perspective and Perspective
Prof. Dr. Nüket Güz, Beykoz University, Turkey,
Prof. Dr. Simten Gündeş, Turkey
Dr. Deniz Özden, Beykoz University , Turkey
Primarily, Gaston Bachelard and Heidegger starts from space action, a concept which he associates with human existence in the world. The main target of place and architecture is the design of space, which must be considered as feelings, experiences and personal contacts, all beyond physical dimension. Bachelard maintained that space an essentially accomponential element of not only society but also of individual, it is not a passive element. Christian Norberg-Schulz also regarded space phenomenon as somewhere which can be made liveable and humanist manifesto.The relationship of space with identity, its spirit is called “genius loci”. Common place were decorated with murals for influence the people through the ages. Murals of space was represented as naturalist way-perspective for a long time in European Art, whereas they were performed as hierarchical way-Pavel Florenski's opposite perspective in Byzantine Art. Duality of naturalists- hierarchical arrangement will be considered with various examples adopting the suggestion by Jean Gebser “to overcome rationality and to pass from mentality to transparency of irrationality”. We shall adopt, Jean Gebser’s suggestion because according to acconciousness without perspective, interested in the perception of whole in a transparent way do not ignore simultaneity which goes beyond time and space limits. Its only because of this mutual perception and expression of reality by human beings that world becomes transparent for us. Actually Peirce’s triadic system of signs makes our change and continuity perception complitely clear, interpratable and transparent. As Peirce claims “if universe does not consist of only signs, it is decorated with the signs of reality.” In the exploration of reality, if a space is to be represented in works of art, a space of the past. As for Chora Church in Istanbul concerns which is ciborium plan and famous with the murals and mosaics, they are between opposite perspective and perspective-middle age and renaissance; and remind us a trajectory is the path of an object through space. We feel the space through signs, whether the order is naturalist or hierarchical.
País:
Turquía
Temas y ejes de trabajo:
Las semióticas de las artes: momentos y territorios
Semióticas de los lenguajes visuales, sonoros y audiovisuales
Institución:
Beykoz University
Mail:
ozdendeniz58@gmail.com
Más expositores para este abstract
Nüket Güz, Simten Gündeş
Estado del abstract
Estado del abstract:
Accepted